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Offer Thanks To Nero

Why, one might ask, would modern civilizationemperor committed suicide to avoid execution.
owe a debt of gratitude to the unpopular,Following his death, the lake was drained,
infamous Roman emperor Nero, dead twothe Colosseum constructed in its place, and
thousand years ago by his own hand? For thoseNero's colossal head was decapitated from the
folks not tuned in to their own historicalcolossal body of the Neronis, then replaced
roots, Nero is an important part of yourwith the heads of succeeding emperors. Said
culture, not just a computer software toolto be an embarrassment to the city, the
for burning compact disks. Nero gathered aGolden House was denuded of its decorations
magnificent collection of classical Greekwithin ten years, and subsequently buried
sculpture from all over the Roman Empire,beneath new construction within forty
most of which was lost following hisyears.That would seem to be the end of Nero's
downfall. Why should you care about Nero'sGolden House, but something strange happened
story?--because what happened to himto bring it back to life at the end of the
influences the way you look at the worldfifteenth century. A young Roman was walking
every day.You may have heard the tale of howon the Aventine hill only to fall into a hole
Nero fiddled while Rome burned in 64 A.D.into a subterranean wonderland. He landed in
First, let us lay that story to rest. Despitethe Domus Aurea, buried beneath the Baths of
the hatred he engendered in the RomanTrajan. There he saw incredible frescoes,
populace for his many atrocities, there is noappearing to be freshly painted as if new.
evidence to support this rumor. In fact, heThe site of this accident drew Italian
appears to have been rather helpful to aartists from far and wide.Raphael and
devastated Rome during that period. No, weMichelangelo visited the site, and some
cannot give him credit for the burning ofartists of the time inscribed their names
Rome, but Nero had many other monstrous actsinto the walls. From the depths of Nero's
with which we can credit him--usingpleasure palace, from the frescoes, mosaics,
Christians as human torches comes first toand sculpture, they took inspiration, an
mind. One of Nero's chief failings wasinspiration that would be reflected in the
vanity. Nero considered himself to beart of the High Renaissance. As the Domus
enormously talented in all things: art,Aurea with its new antique source material
drama, athletics, and, of course, music, awas explored, one classical Greek sculpture
fiddler extraordinaire he claimed. Perhaps hewas unearthed on a day that Michelangelo
was. We are told that he won every singlehappened to visit. It was the Laocoon, a
competition he entered, whether artistic ormarble work by famed Greek Hellenistic
athletic, from fiddling to chariot racing andsculptors, Athanadoros, Hagesandros, and
every thing in between. We are further toldPolydoros of Rhodes.Laocoon, a mythological
that the reason he always won was becausesubject, depicts the Trojan priest Laocoon
really unpleasant things happened to anyonewith his two sons in a struggle against a
who bested him.Nero made good use of thegiant sea snake, a punishment from the gods
wide-spread destruction of Rome. Thefor warning the Trojans about the Trojan
emperor's own house, the Domus Transitoria,horse. Its powerful emotional content and
was destroyed in the fire, but free space wasvigorous muscularity would soon be reflected
now available in the crowded city, now burnedin the works of Renaissance giants
out. Nero took advantage of that space toMichelangelo and Raphael. This work and
build a pleasure palace, his Domus Aurea, orothers like it from Nero's private collection
Golden House. The Domus Aurea was not a placeof classical Greek sculpture profoundly
for sleeping, because Nero had other lodgingsinfluenced Italian Renaissance art, and it is
for that. Nero outfitted his Domus Aurea withfrom this art that we have developed our own
priceless treasures, including his collectionmodern aesthetic sensibilities.Had Nero not
of classical Greek sculpture.Described bybeen the demented, despotic monster that he
Pliny the Elder, Nero built the Domus Aureawas, had his Golden House not been entombed,
of bricks and stucco, lavishly embellished itburied beneath the Baths of Trajan for two
with gold-leaf decoration and ivory veneer,millennia, his classical Greek sculpture
and he studded the ceilings withcollection might have been lost like so many
semi-previous stones. One ceiling actuallyother significant art works of its kind.
rotated and sprinkled perfume, crankedWithout Nero, we might not appreciate beauty
laboriously by slaves. The Domus Aureawhen we see it.Brenda Harness is an art
covered 350 acres, roughly a third of Rome,historian and former university lecturer
spanning four of the Seven Hills of Rome inwriting about a variety of topics pertaining
the heart of the city. The grounds of theto art and art history. She owns Fine Art
Domus Aurea featured villas, vineyards,Touch, a website devoted to the exploration
forests, a sacred grove, pastures forof Italian Renaissance art, featuring
livestock, and an artificial lake.Neroarticles on works from Renaissance giants
erected a 120 foot bronze statue of himselfsuch as Michelangelo and Leonardo to
in the center dressed as the sun god, Sol,lesser-known artists such as Verrocchio and
his Colossus Neronis. The Colossus would bePerugino. The articles include images of the
the sole survivor of Nero's Golden House. Inartwork to help the reader better understand
68 A.D. the Roman Senate declared Nero anthe work being discussed.
enemy of the state, a death sentence, and the



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